A treasure for nostalgics looking to get back to the start fila boots womens of this sound. "Old Codes New Chaos" in its new anniversary production sounds quite smooth in comparison with later albums like "Maim That Tune" or "Power Clown", but it does provide a multifaceted impression of a sound that has lost none of its power even after 20 yearsThere can be little doubt that this is one of the best dance music albums ever made. Released in 1994, the debut album from Fila Brazillia was launched into a world before big beat and trip hop took hold, but after the first flush of Orb and ELF-inspired ambient.
In places this has a lolling, hyper-cool, chill-out groove, such as on the supreme trip hop departure The Sheriff'. In others it's fila cage up and in your face. But it's always funky and always supremely melodic& a bit like a Sasha set on valium. In other words it's as essentially Balearic as a bottle of San Miguel outside Cafe Mambo. All the more surprising, then fila chunky sneakers that the album is made by a bunch of stoners from Hull who have never been to the White Island. Any Fila Brazillia album is worth buying, but if you can manage to track this down, this alone it is worth its weight in lbizan gold.
Genres come, buzzwords go and styles fizzle and fade, but one thing that has remained constant in dance music's perpetual shape-shifting is Fila Brazillia. Retrospective' represents the very best of a musical partnership deserving a well-overdue pat on the back fila classic for its longevity and ability to give competition the slip by remaining elusively hard to classify.Which is what Retrospective' is primarily all about a soundtrack for those stumbling in at all hours or in need of audio massage, with curveballs thrown in to keep ears cocked; whether it be Soft Music Under Stars' with its sitar shimmer and shine, or the big freaky beats of You Wont' Let Me Rock'.
Yet every release is full of twists and turns that sound fresh and new and in a way unheard before. Pheobus' is another masterpiece& "I think we'd take the soundtrack to Koyannasquatsi and lay it under Scarface," Steve says. "And I know The Bible would be improved by having an any resemblance to actual persons living or dead is coincidental and unintentional' disclaimer at the start." For the building, though, it's back to the centre of their world. "The New Media fila destroyer Centre being built in Kingston-Upon-Hull would greatly benefit from an architectural mash-up," he reckons. "We suggest thatched neon." It would clearly be a much wider and weirder world if Fila Brazillia had their way.
See, the thing is that Fila Brazillia remember that there have been many periods in history where pop music has managed to be both challenging and popular. It's their shared sense of hope, history and humour that inspired Fila to form their own twentythree label to release album seven in 1999, and has carried them through to the creation of Jump Leads, due out early in 2002.